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Pablo Alvarez
Alexandra Alvis
Malina Belcheva
Tom Conroy
Arthur Green
Jessica Keister
Emma Hartman
Leather Discussion
Group
Julia Miller
Kim Norman
Todd Pattison
Todd Pattison
Elizabeth DeWolfe
Jennifer W. Rosner
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The Burning of the Butterfly: A Plaquette Binding at the University of Michigan Library
Working on the Best Material and by the Best Methods: Douglas Cockerell and Son, and the Bindery’s Work for the University of Glasgow Library
Unveiling Secrets of the Trade: Owen Jones and
the Relievo Art of The Psalms of David
A Lineage of Finishing Tool Makers in Georgian Dublin
Cutting Book Edges In-Boards
Cords to Nowhere: The Bindings of Anna Atkins’ Photographs of British Algæ: Cyanotype Impressions
The Evolution of Bookbinding Leather: Past, Present, and Future
Kristi Wright • Katharine C. Wagner
William Dean Minter • Holly Herro
The Glazier Codex (MLM MS G.67)
Conserving the Historic Torahs of Congregation Mickve Israel in Savannah, Georgia
The “Prince of Binders”: Joseph T. Altemus and the Height of Publishers’ Bindings in the Mid-Nineteenth Century
Female Labor and Industrial Growth in Nineteenth-Century American Bookbinding
“Goods and Chattels, Rights and Credits”:
1854 Inventory of the Joseph T. Altemus Bindery
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620 pages • 368 illustrations • full color
10 x 7 in. • cloth, sewn • 2022
isbn 9781953421081 • $115.00
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