Pablo Alvarez

 

 

Alexandra Alvis

 

 

 

 

Malina Belcheva

 

 

Tom Conroy

 

 

Arthur Green

 

Jessica Keister

Emma Hartman

 

 

Leather Discussion

Group

 

 

 

Julia Miller

 

Kim Norman

 

 

Todd Pattison

 

 

 

Todd Pattison

Elizabeth DeWolfe

 

Jennifer W. Rosner

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The Burning of the Butterfly: A Plaquette Binding at the University of Michigan Library

 

Working on the Best Material and by the Best Methods: Douglas Cockerell and Son, and the Bindery’s Work for the University of Glasgow Library

 

Unveiling Secrets of the Trade: Owen Jones and

the Relievo Art of The Psalms of David

 

A Lineage of Finishing Tool Makers in Georgian Dublin

 

Cutting Book Edges In-Boards

 

Cords to Nowhere: The Bindings of Anna Atkins’ Photographs of British Algæ: Cyanotype Impressions

 

The Evolution of Bookbinding Leather: Past, Present, and Future

Kristi Wright   •   Katharine C. Wagner

William Dean Minter   •   Holly Herro

 

The Glazier Codex (MLM MS G.67)

 

Conserving the Historic Torahs of Congregation Mickve Israel in Savannah, Georgia

 

The “Prince of Binders”: Joseph T. Altemus and the Height of Publishers’ Bindings in the Mid-Nineteenth Century

 

Female Labor and Industrial Growth in Nineteenth-Century American Bookbinding

 

“Goods and Chattels, Rights and Credits”:

1854 Inventory of the Joseph T. Altemus Bindery